and yet, for her, the past is not erased, but rather continuous, and layered ; cat’s life coexists with beth’s, and mercy’s, and nan’s and weasel’s and lysander’s too, and finally lyanna’s underneath them all – a promise made can be broken ( was, in fact ), but not retracted, not forgot, just as a seed can be uprooted, but the indent in the earth, and the memory of having planted it, will remain, or just as a book can be burned, but the memory of its existence will linger.
perhaps that is what leaves her inescapably brittle, wounded, this multifold self – no doubt it would be simpler to have only one, or none at all, but these dead girls have left their fingerprint-bruises and their scars upon her skin, and she can compartmentalize them, hide them away and appear as solely lyanna, but they are never forgotten either, not entirely. always there, under her skin, for better or worse.
‘ but what’s done is done. ’
it stings more than it rightfully should that the shadow of the man she knew no doubt would abhor her now, but it doesn’t surprise her, either ;let him, she thinks, let him hate me. if that is the cost of being my own woman, let him.
the slight irony, besides, that she might have rendered herself so loathsome and incomprehensible to one who professes a lack of sentiment hasn’t escaped her ; beneath the slight ache of being shot down is a spreading vindication like blood seeping into and damply staining a cloth – if she has made herself so hateful that she provokes anger and disdain in no one, is that not then her victory and not his?
‘ you say i owe you nothing, and yet you come to my realm asking for land, for steel, as though you’re entitled to prevail upon a favour i don’t feel, a friendship you and your dead man walked away from without a care in the world. to what end? to spy on me, on my sister, to send your whispers back to braavos of the wolf bitches who rule the north? you understand espionage is an act of treason. if that’s why you’re truly here, whoever you are or aren’t, i would have every right to take your head. ’
◤ Ꮴalar Ꮇorghulis. ◢
A bemused smile touches the lips of a man, visage lowering in slight as if attempting to listen to other’s asseveration once again, ( the man initially shocked by the crass, unnecessary colour addition to discourse — vocabulary usually reserved for those not in a position such as the lord’s ) lids flickering with disbelief, not of threatened punishment but of the accusation concerning reason for travel. Hands nestled in overcoat’s warmth loosen in concentration; pulse slows. Eyes wander to the horizon and lips part to speak and relaxed posture changes not. Only nominal bewilderment coats features; nominal, but believable bewilderment.
“My Lord, let us not escalate this situation too soon,” he proposes, allowing a corner of lips to twitch in feigned nervousness. Each manoeuvre of sinew is subtle, but noticeable. Equanimity is of a man’s nature ( no one’s nature ) and remaining in touch with self, if applicable, if self is a true concept, with the lack of it, is of utmost importance lest he look to be bipolar ( lest he look a LIAR ); stolid at one point and overstrung in the next. Credible, he inly cantillates, credible. Slight, slight, slight.
The transition betwixt expressions is seamless.
The girl left an acolyte. Clever, determined, something else, acolytes’ ( past and present ) skill sets are below those who have been initiated.
A puppeteer sits unobtrusively within the confines of cranium, atop brain, plucking at thoughts and memories unneeded (UNTRUTHS ), tugging at various muscles twined.
“ … Asking, yes; not expecting nor demanding… Can I not live in peace with my intended, swearing my allegiance to the North? Your scenario concerning espionage makes no sense, this friend of yours is … deceased?” A question, hesitancy lining carefully chosen words. “A promise, as I said before, seemed a mistake on his end; I know naught of what the promise entailed.”
Does Merek, this guise, remember the man Lyanna speaks of? A vague memory flickers in a deeply buried alcove of mind, but the static is silenced when musing is. A man is not supposed to know, therefore he will not. ( Why was he trying to remember in the first place? )
“With respect, I am beyond offended by your accusations as to why I am here or not here, my Lord. Do you think me a killer? An intelligencer? Entitlement is not here, only friendship, as I have mentioned before. Can friends not talk openly amongst the trees?”
the almost smug edge to his mien threatens something worse in her again, half mad, half feral, though she betrays none of it, says nothing – he’s missed the point, she can tell from the fleeting break of self-satisfaction. ( it’s not for him that she covers herself ; if he finds her anger so distasteful, good, let him look, let him see – better to be the feral wolf than to be anyone’s nobody, any man’s slave or whore or caged starved weakened bitch at heel – but rather for herself, for her own composure, and for the interest of the north, for the fresh, changed mantle of the king’s hand, of valar dohaeris, she has taken on more willingly by far, and him thinking for one moment that she does any of this to please him almost makes her want to laugh for its complete erroneous bent, though she doesn’t do that either. )
nonetheless, she remains tangibly impassive when the moment passes ; he of all men – of all ghosts – has no right to cast stones at her when he himself dwells within a glass house, of which the walls are already threatening to crack and splinter the more he speaks, even without her help.
‘ i followed my friend into hell, ’ she points out, crisp, clean, unwavering as the snow around them, laden into the ground beneath their feet, and the branches above their heads ; she wonders if he knows already, or if this, too, will be news to him. if the day comes when you would find me again …‘ and he wasn’t there to meet me, though he said he would be. if you ask me, a man who can’t keep his word is no friend of mine to begin with, nor does he have any right to my secrets. as far as i’m concerned, he was quite happy to leave me to die as it was, so i don’t think i owe him – or anyone else he might be – a thing. ’
◤ Ꮴalar Ꮇorghulis. ◢
Into Hell.
Disapproval of VOID opinion simmers beneath chilled skin ( whilom the North’s gelid weather having no effect upon false flesh ), this ‘Lord Stark’ possessing enough audacity to asperse the place of which a man’s guise, of which a man, calls home. Dare the woman think resistance to the Many- Faced God worthwhile? ‘Tis futile. If one cannot keep his or her word and remove inherent identity ( ironic, calling her old friend a man not of his word ), why should he or she be bestowed an erasure of memory? An erasure of the most toilsome fragments? ( He recalls, many a year ago, animatedly speaking to a child with unyielding determination: to be a dancing master is a special thing. But to be a faceless man, that is something else entirely. ) The then-child did not obey, wherefore she did not flourish. Does her insolence constitute a kind farewell? A dismissal of her former behavior? For this man, and for this guise, without question; but not for the Guild.
“ A man, thisfalse friend of yours, should not have promised anything, I think,” he intones.
‘Tis a reflection of former self, but thoughtfulness behind words is not evident upon ever stoic lineaments; thoughtfulness should not be an emotionfelt. Although a man looks to a Lord, a man sees a child. The memory cannot seem to shake; to finally see a boy turned girl in yore-longed environment (because winter is coming. And I don’t mean to be here when it does) rings something curious inside of him, betwixt fixed ribs, a feeling that he refutes before the bud can form into a nasty, TRUE sensation of reminiscence, of weeds linking themselves within the bed oh his flesh, into the forgotten foreign feeling of fondness.
“ And with respect, it’s not possible to owe anything to dead men, Lord Stark.” Again, stolidity. “I have no quarrels with you, I barely know you. A man deceased is a man invalid; as are his opinions and actions.” Or lack thereof.
the correction is quiet, even hushed, testament to pulling her temper back under the set of her jaw, dimming the burn of her eyes ; yet, the sentiment that sears on beneath now-illegible countenance is bitter, barren, like an anti-seed, something one could plant to watch something die, spreading out from the nexus of her poisoned, twisted womb like the pain spreading from an arrowhead’s piercing bite.
and still, the other feeling lingers alongside it, dread mixed with the anger – who is a man? he asked her, and she wants to say she knows that too, but doesn’t ; had thought she’d known half a dozen things, and had paid for them with much dearer lessons.
she’d passed all their tests save one ; made it blind, made it barren, made it mute and passive and everything they wanted, played the fish seller played the beggar played the ugly rotten twisted girl and the slave and played the whore, too, served and served and SERVED but it was never enough to take everything from her, no, they wanted more, and it doesn’t matter to a single one of them that she wakes in the night not knowing where or who she is, doesn’t matter to a single one of them that she dreads the mirror lest she find ( as she has before ) a dead girl’s face staring back at her, a stranger.
‘ everything that happens in my realm concerns me, ’ lyanna explains, calmly, as patiently as she can muster. ‘ especially when old friends’ – the emphasis, there, pointed, shedding some scant light on her ever-growing suspicion – ‘ from my past stumble through my gates. your temple is very far from here, and we have our own laws. now i can torture your pur- -pose out of you if you’d like, many a bolton foot soldier has found himself target practice for my arrows before i killed him, but i think we can both agree that’s not the preferable course. ’
◤ Ꮴalar Ꮇorghulis. ◢
Whilom characteristic upturning of lips’ edges ensues once the woman makes a correction of her words, her face; once she rules it. Of course she would. A child would cower when proven wrong by a superior, when told how poorly she was doing; she would immediately rectify the situation, perhaps get defensive and begin to spew more threats.
Natheless, Merek looks blankly into Lyanna’s icy eyes. For a fleeting moment his flicker in past recognition of a man longdead GONE, but for only a moment. He refrains from judging her. He has no place to say how she should feel, how she should not feel. He has no place to tell her that she must have forgotten who she is dealing with. (I know a killer. A REAL killer. He’d kill you with his little finger. You’d be a KITTEN to him.)
Thereafter he nods understandingly, taking in her words, remembering his temporary mien’s place concerning Winterfell’s social structure. He will not take chances nor will he think the threats to be idle. Visenya’s hot breath upon his neck but several minutes ago was not disregarded when dismissed, when she padded away as refined, hunterly sinew carried her weighty frame.
A girl will weep.
“ Lord Stark, ‘twould be a shame if friends could talk in secret no more — if a friend would kill the other. I don’t think that sounds like true friendship,” he responds, the enigma of a man ever contradicting himself.
initial words serve no purpose but to narrow lyanna’s eyes, and then, just as promptly, to banish all trace of sentiment from the sharp set of her features altogether ; warping of the kindly man’s words filling her mouth with acid, bones aching with the remembrance of poisons’ searing and the near-constant littering of cuts and scars and sores, chest scraped out hollow and yet heavy all the same with the weight of the DEAD GIRLS she carries everywhere she goes, she turns to stone and yet wants to snarl, to scream, to HOWL.
HE WILL TAKE YOUR SAD GREY EYES THAT HAVE SEEN SO MUCH YOU WILL BE NO ONE’S DAUGHTER NO ONE’S WIFE NO ONE’S MOTHER WOMEN BRING THE GIFT OF LIFE WE BRING THE GIFT OF DEATH NO ONE CAN DO BOTH WHO ARE YOU WHO ARE YOU WHO ARE YOU YOUR HEART IS TOO SOFT TO BE ONE OF US
no, she thinks, stopping the flood of sound in its tracks, seizing it ( seizing the ghost ) by the THROAT until it quiets ;my heart’s harder than yours, than ANY of yours, i said NO.
a soft heart is malleable; a harder one can resist, and does she not have the scars to show for it? EVERY HURT IS A LESSON, she thinks, bitterly, AND EVERY LESSON MAKES YOU BETTER. ( and yet, something small in her whispers, you’re not better, are you?sick, rotten, twisted, warped, hateful undeserving – the same small voice that picks away at her skin in the dark, nailsclaws scratching into the flesh, sometimes until she bleeds, but even that doesn’t feel better, she still feels poisoned, still feels … )
‘ you know nothing of my ire, ’ she utters, sharp but calm, and unafraid. ‘ i met one of you. before. he helped me, or i thought he did. and when i – ’when i needed him, she thinks, almost says, bites her tongue. when i needed him he was gone, but why did i expect any different? that’s what people DO.‘ ten years. ten years i gave you, you took everything from me, and for nothing. we’re finished. so if you’ve come to punish me for leaving, if that’s why you’re really here, i suggest you turn around and tell your master you failed, that you couldn’t find me. because i owe you NOTHING. and if you’ve come to give the gift’ – it’s spat, almost, sharding and sparking off her teeth – ‘ to my sister, you can do the same. she dies, you die. i don’t care who sent you, or why, if they gave you her name they can forget it. ’
◤ Ꮴalar Ꮇorghulis. ◢
Ability to remain impassive amidst the woman’s spewing of unknowable ire begets her to look the same: as if a child. As if Arry, with courage and no sense. She is transparent. He sees through her. Hedoesn’t move amuscle. He waits for her to finish. Hestays quiet. He gathers his emotions. ( The emotions that threaten to break placidity but DO NOT; the emotions that are forbidden; stupid, as she would say; ridiculous. And friends may talk in secret. Yes? No. Lyanna was not a man’s friend. Friends follow each other. Friends trust each other. She did neither. Being admired [ be it a fleeting moment in time ] does not amount to being a friend. Rules were broken in the name of Arry, in the name of all men are equal in the eyes of the Many-Faced God, in the name of Valar Morghulis, in the name of Valar Dohaeris. For what? As the woman said: for NOTHING. )
“ If I was here to bestow the gift unto your sister, my Lady,” he speaks with a lack of intonation, “it would have already been done.”
Empty threats fall upon a man like raindrops atop a candle; they do no damage, they glide off of surface without a second thought.
These emotions, this ire he knows nothing of serves to show that Lyanna Stark of Winterfell could have never forsaken her identity, her temper. This is better, he thinks, bitterly. ( hedoesn’tneedfriends. friendsareunnecessary. facelessmendon’t needCOMPANIONS.notheydon’t.notheydon’tNOTHEY DON’T. ) They are better. Alone.
“ Nor am I here to punish you. I am here for reasons of which you are not to know. Rest assured—” though she sees him a liar, “they do not concern you.”
a small difference, but a pivotal one, the skinny sharp of a knife’s edge tipping between one word and the other ; the sudden change in his parlance is noted, too, and the empty wasteland of lyanna’s belly knots, twitches, in spite of herself. speak the names, and a man will do the rest.
it doesn’t seem like one of THEM to commit an accidental slip, and yet – hers is the dominion of error and bad luck and cursed second names, bloodied teeth and bloodied paws, her temple is the ice-strewn famine- -hardened badlands and thick dark trees and death walking, so why not, why not?
(i see you, you and your nothing, that she had already uncovered, but this – friends may talk in secret, and if she’s right, she has half a dozen reasons to spit the vitriol of her bestial, raging fury into his eyes and let him burn as she did. )
‘ you’re no one. what you are’s a different question. ’
◤ Ꮴalar Ꮇorghulis. ◢
“ Some secrets are best kept for no one, my Lady.”
Sentiment not a facet a man is to express, in any form, save for reverence once in Braavos again. When the thought of a boy abrades his mind it spreads rampantly (tries to, tries to ) and his scrutinizing gaze chills, resembling surrounding snow-ladden verdure too similarly. The girl could have been like him. She could have. Who is she? Who is he?
But it is not a man’s duty to judge, nor is it his to impose own inner turmoil unto an ‘innocent’ — she would likely claim otherwise, he thinks. She would not appreciate the changing of face yet again, a trick he knows ( should NOT know ) thatonce entertained. Show me. I want to do it too. There is no going back in time, there is no need to. She, a Hand of the King, he, No One. Nothing. An empty void once filled with life, now with layers upon layers upon layers of the dead; and DEAD men tell no tales.
“ What am I to say? What could quell this ire of yours? We are alone; we are speaking freely, are we not?”
she’s silent – registering only that she’s heard, but giving no answer – until at last her feet carry her as far as the wolfswood, away from curious ears save those of the beasts that are half her kin ; the howling, the snow, the sharp, crisp smell of pine in her nose, and the warm musk of elk and deer beneath that sets her mouth to watering even when visenya isn’t by her side, it all serves to remind lyanna of her purpose here. ( her own place of secrets, a city of ice amidst the trees – where she goes when the abyss, the abscess, of no one grows to be too deep and dark and loud and hungry within her ; to remember lyanna, to drag her back from wherever she goes when she slips between scarred, callused fingers like sand, like ash, like the fragile powder of incense, no matter how she may try to grasp at the remnants.
sometimes all she needs is to be quiet and breathe. )
pallor, though spiderweb-veined and fatigue-bruised, of her eyelids slides closed for a moment, two, until lyanna pivots to face her erstwhile companion in full ; flicks them open onto something coldly patient, gaze keen and searching as a knife scraping through, past the ribs, into the innards.
‘ you can start by telling me the truth. the real truth. i know what you are, and you’re no sell- -sword or hedge knight. ’
◤ Ꮴalar Ꮇorghulis. ◢
Front bides unchanging still with reintroduction of iciness. Courage, she had, once a boy, to question a man — dare she anew? Faint, faint, faint twist of lips’ edges etched upon visage as black sand atop white in a children’s toy, unable to fade unless shaken violently. In midst of mindly conflict does the man, the hollow object ( naught but a servant, naught but a servant. Naught but loyal, naught but loyal) think to part his lips and speak; ought not, for better would he be to mull upon over her words, think his out carefully.
Again, silence prevails. Comfortable … questionable. Aforementioned quietude all the same lingers like a knife dangling from a fine string, hanging quietly, harmfully above the man’s flesh and sinew and bones. ( Threatening what, exactly? His image? His reputation? With a brush of finger a man could be a man no more; and so, he remains impassive. )
He provisionally chooses to feast upon her reaction to his ensuing question — a wanting response he is aware, but a response withal. To bend so easily, so quickly? Not he.
the better answer, lyanna thinks, would have been no ( all men are liars, one way or another ); but at least it’s not a full yes, either. it’s close enough to the truth that she accepts the first half ; the second, though, does give her pause. how much of it is a lie he’s woven only now, and how much is the face he’s slipped on over his blood and bone? does he imagine himself betrothed to a dead man’s intended? perhaps it doesn’t matter, and yet – she’s never encountered one who’s claimed to be betrothed before. you will be no one’s daughter, no one’s wife, no one’s mother; it leaves a fierce, angry cold sting in her chest, that the men should be somehow exempt, as though a fresh layer of OWNERSHIP of the women that the men are not subjugated to, unless they’re not exempt and he’s a worse liar than he thinks he is. or he just thinks she’s stupid ; she almost wants to assume it’s the former, and give him the benefit of the doubt that he wouldn’t come here under such pretext – she hasn’t lived as long as she has and risen from the ashes of NOTHING to be where she is now by lacking for wits. )
lyanna feels herself nod, even so ; pulls fur-lined gloves over scarred fingers ( the most notable blemish a bone-deep band of thick white tissue about her index finger on the right hand, earned when she was blind) and callused palms, more work-ready and weapon-ready than those of most lords, just before she nudges open a door to the exterior – her eyes fall half-lidded for a split second in breathing in the crisp, snow-laden air, and she holds the heavy wood of the door open behind her for erstwhile companion to follow suit.
‘ i’m sure i will. ’ she’s sure of no such thing, but her voice betrays none of it, nor her face ; she makes herself smile, instead, at the false image he’s created of a wife, a child, perhaps more. (loyalty is what makes you who you are, she echoes, silently, but loyalty to a false, hungry god turning men and women into THINGS is worth less than salt to me. whether he has come to spy or to kill, it makes no difference ; she will watch him all the more closely either way. )
◤ Ꮴalar Ꮇorghulis. ◢
Lips once coated with the ichor of past self (Who are you? I’m– Head begins to spin lips begin to tremble limbs begin to shake eyes begin to water – the child would wipe the sticky substance from his mouth but the child deserves the blow. Who are you? I’m– another. The pain is sharp, quick. It’s gone in seconds, as is his foolish doubt. He’s on the floor and he does not feel it he doesn’t feel anything he’s floating; these limbs are not his nor are his eyes nor is his nose nor his lips nor anything else; what is he but a servant? What purpose is there but to obey? Devotion is the only sentiment felt. What is sin? To think of oneself as a being. That was not him. Who is that child? He is no one he is no one he is no one. ) spread into a mirroring smile. Frame, although mortiferous in nature, compliantly follows suit the woman’s slight, with hands tucked into pockets of overcoat and fur of a dead beast surrounding neck, keeping the warmth of a hollow body within bounds of false flesh, mien.
The underside of his tongue burns with the need to question once he and his provisional compeer are suitably distanced from lurking spiders and flies on walls, curious as to how a child who once reeked of death reigns over a populace seemingly content with its system. ( It reminds him of House Tully’s motto and the mere thought leaves a bitter taste akin to copper in his mouth. ) Visage lined with dark stubble turns to face companion’s.
“ What is required of me to earn land and your trust, my Lady?”
Eager, just as a common man would be. Lyanna knows where his true loyalty lies, but does she know that he once forsook it by proffering an iron coin? That was but a fleeting moment in time. His master saw in due course the appropriate, deserved retribution.
Diurnal strolls through the godswood prove a welcome distraction from what the unacquainted might call mundane activity. All noticeable is a man who leaves his home before the wake of dawn and is back by the afternoon with naught in hand; again in the evening and still back with naught. He looks to be a commoner, with his battered clothing and long, oft tousled hair; but an unexplainable emptiness, not noticeable from a distance, sits behind his dark eyes.
(Rule your face. )
When the sacred assimilation of flora and fauna is tainted with a woman who shoots her bow ( acutely precise he notices by the third visitation ) a man grows suspicious. Whereabouts he spends his private time is appreciated to be kept as such, but he says nary a word when the stranger is near.
Eventually the man’s guise who goes by Merek Clarke spots the brunette woman again but yards away on an autumn day. Multicoloured leaves lay atop the earthen ground and the sun grows dreary with each passing moment, slowly sliding down the rich pink and blue and yellow and orange sky.
The person unknown appears to be sharpening a dagger—attemptingto sharpen a dagger. The man takes the liberty to walk up to her, proffering a courteous nod once face to face.
“ You can quickly sharpen the blade if you first wet the stone.”
a FOOL’S question ; lyanna doesn’t smile ( doesn’t give him anything), eyes filled with naught but a cool, empty sort of patience – she drops her arm when it remains untouched, and is, privately, silently, invisibly thankful that her walls (intangible as they may yet be ) remain unbroached.
still – it strikes her as brief, passing strange, as she continues on unmarred and unmolested, that he would abjure himself what her lady mother might once have termed the simplest of ladylike cour- -tesies when others before him have been all TOO eager to take them and more from her.
( a man is a man, no matter what ELSE he might be second and third and fourth, and even, perhaps especially, if she is what she strongly suspects, a woman is still an object to him, as she has been to so many others – WE ARE NOT THINGS rings sharp and harsh in the back of her mind, reverberating against the dome of her skull from the inside, but she voices none of it, her face still and clear as a dead lake, near to void of expression save that same, stone-wall patience, the ghost and the weapon that they MADE her into whether she likes it or not. )
‘ you want land. steel, ’ lyanna finally responds, voice yielding nothing but precisely what she means by her own words. ‘ i want loyal men. those sorts of comprom- -ises. are you an honest man, clarke? ’
◤ Ꮴalar Ꮇorghulis. ◢
Finally the girl understands that tourneys concerning ‘who are you?’ are not played by the man outside of the House. Indeed, her sobered words draw Merek to cast his line of vision towards the horizon clouded with dense trees. There is a reason he stands atop the snowy terrain, a worker’s hands clasped behind back and no one’s true form hovering above mortiferous frame, watching from above. There is a mission to complete and there is no room for old deeds said, done … erased into the unforgivable past … to lie betwixt spoken words and phlegmatic silence. (Go across the Narrow Sea once more, for there are missions to complete. Do not come back for six fortnights. Serve Him. All will be well in your absence. )
Little did he know that in the meantime a lovely girl would turn to an iron coin.
“ I’m as honest as any man is during times like these.”
He bestows a glance upon the Stark and instinctively ignites false life behind brown eyes. How can a man be an honest man if a man does not truly know who a man is? ( Who are you? ) His lips form a fine line in the presence of familiar silence.
“And betrothed,” he continues. “I’m in need of land and steel. To support my intended.” A pause. “I’ll do what it takes to make ends meet. You will find, my Lord, that loyalty is what makes me who I am.”
Hello! Thank you for taking the time to read this page; I really appreciate it.
On this page you will find no password, so do not fret. However, please read this if you’d like to write with me. Please read links 04. and 06. as well. Said links will give you insight into my portrayal of Jaqen and his many guises, especially if you are unfamiliar with ASOIAF/GOT.
I.
There is an incredibly small amount of information regarding Jaqen H'ghar’s life; therefore, I will take a great amount of liberty in expanding upon the characterization given to him by George R. R. Martin in the series A Song of Ice and Fire.
**Thus, if you also write as Jaqen H'ghar, I ask that you please do not steal my headcanons or anything pertaining to my characterization. I have spent but a few years on Tumblr as Jaqen H'ghar; however, I have worked diligently to form my interpretation of him. Of course, everyone has a different interpretation when it gets to the details. I'm just putting this out here. If I feel as though you've done such a thing, I will privately take it up with you.
II.
I do not follow blogs for the sake of following back unless I see a plausible interaction between said blog and Jaqen. ( Or, I may admire your writing/characterization!! Lbr. ) In this regard, I am very selective with whom I write with and I do this in an effort to keep drafts and pressure off of my shoulders.
I cannot stress this enough: The guise of Jaqen H'ghar is not seen many places in the books; it is challenging to get him to meet other characters, even in the ASOIAF world.
Please refer to the PSA. tag for further information.
Mutuals only, please.
However, if we're not in a mutual follow and you think our characters could have a plot line together, please do not hesitate to send me a message! I truly mean it. You know more about your character than I do, so if you think our characters could have a cool storyline, just let me know. I am really kind ooc! I do have the right to refuse, though.
III.
Building off of that, this blog is multi-verse and multi-ship.
IV.
This account is based off of book canon. The only show influence on this blog is the faceclaim, Tom Wlaschiha, which is seen in my main verse. I do not acknowledge Season 5 and further of Game of Thrones, the show. That is, the Kindly Man oversees Arya Stark when she is in the House of Black and White—- not Jaqen H'ghar. There are many more differences, but that would force me to digress.
That all said, my verses/AU things are noted in link 03. because writing outside of canon is also fun!!!!! ( E.g., my interpretation of how Jaqen would treat Arya in the House of Black and White is quite different than the show's interpretation. )
V.
I always accept multiple threads and ask prompts. If you want to have 7 threads going, let's do it. Do you want to send in 3 ask prompts at a time? Do it. Do you want to ask random questions about or to Jaqen? Do it. Live your life. We are here to write.
VI.
This blog’s purpose is not for shipping, but, if applicable, please do not force them.
I strongly prefer to be an exclusive roleplayer when it comes to romantic interactions. ( E.g., if an X blog would ship with my Jaqen, I would prefer that I would be the only Jaqen that X blog would SHIP with. ) However, I completely understand if my shipping partner is not into shipping exclusivity.
The only 'real' ship I see on this blog is Jaqen x Arya, but I will never force that upon you. Even then, I am extremely selective with that ship.
Nothing regarding underage relations will be present on this blog.
( Thus, when he's smirking a lot and being cryptic with her at Harrenhal and kissing her head, that is not 'shippy.' That's just Jaqen. Arya is a fucking child. THANK YOU. )
I am most comfortable when us writers are on good terms and have both in-character and out-of-character writing chemistry in order to ship our characters. If we do not click at all out-of-character, I will not be shipping with you.
VII.
My Skype ( fireoflethe ) and Discord ( inferuxs #4751 ) are available to mutuals. Please let me know your URL when adding me. I primarily use those platforms for in-character interactions, but out-of-character interactions are great as well! I'm almost always on them.
VIII.
If you have a problem with how I portray Jaqen, kindly let me know what you think I am doing 'incorrectly' or unfollow me. I don’t mind. I love con-crit. Anonymous hate, if applicable, will not be acknowledged.
IX.
God modding is not welcome here. Killing or causing serious harm to Jaqen is considered God modding to me, but do not sacrifice your character’s personality for 'nice' interactions! Pushing, shoving, yelling—- all fine. Just nothing serious . . . unless you consult with me first hand.
That said, Jaqen will know who your character is when he speaks with them, unless your character is a god / supernatural creature with all-knowing powers / etc. It's his life's work to know what's going on re: ppl around him.
And please note that, as stated in links 04. and 06., Jaqen is a lethal character. He can kill your muse ( unless said muse is a god ) in seconds and make it look like an accident. Killing people is a part of his religion—- seriously. Please, never underestimate him.
X.
AU threads are highly welcomed and I will jump on the opportunity to write them. Hit that link 01. and we’ll go from there. Or, send me a IM. Seriously.
XI.
I will gladly tag triggers for you if you ask!! This is what a trigger tag looks like: abuse //. Period not included.
If we are in a mutual follow, I ask you to PLEASE tag any images pertaining to NON-HUMAN/ANIMAL-like creatures—- shadow-like things that are lurking and shit. Like demonic shit that creeps into your room. These images cause me extreme fear and anxiety.
nonhuman //, tw: nonhuman, or nonhuman cw . . . all work for me! Whatever tagging style suits you!
By default, I tag abuse and sexual assault for my followers, but nothing else unless asked.
XII. ! ! !! ! ! ! ! ! ! ! ! ! ! ! ! !!! ! ! ! ! !
This blog is VERY low activity. I am a university student doing a combined honors degree, who has two jobs, and who likes to read in her free time. I also have another blog.
Thus, I am NEVER able to reply in a timely manner. Also, I take a long time to write in general. You may drop me a reminder about a reply, but wait a week before doing so. I RARELY lose threads; it's likely in my drafts and just. sitting there. lmao.
I truly do have a lot on my plate and I will never pressure you for a reply. This is a hobby, y'all. A HOBBY.
XIII.
If I didn't make it clear, you are always welcome to message me. I don't bite. Really! Gosh.
** This blog is in no way affiliated with George R. R. Martin, HBO, Tom Wlaschiha, Nicola Wincenc, Adrien Brody, or Aidan Turner. Damn, how I do wish it was.
Please do not take ANY of the icons or graphics or content on this blog; I will know if you do and confront you about it.
And, of course, the writing is mine.
VERSES
NOTE THAT ALL VERSES ARE OPEN FOR INTERACTION UNLESS MARKED OTHERWISE. These will be periodically updated, as all verses are extremely flexible, and I am always willing to add many more.
( This is set in an ALTERNATE universe for easy access to interaction. )
Jaqen has left Arya Stark with an iron coin that holds a great amount of value. Afterward, he travels back to the House of Black and White and continues serving the Many-Faced God. This is considered to be in an AU because readers are not exactly sure where Jaqen is at this time.
According to book canon, the man does not have the same face that Jaqen H'ghar wore when with Arya Stark. I bent the rules a bit by keeping Tom Wlaschiha as his FC, though, because most characters to be interacted with have no business in Harrenhal (where Jaqen H'ghar is located in canon verse ). In this verse Jaqen can be anywhere in the world.
This universe is set when a man’s identity known as Jaqen H'ghar ‘dies’ once he leaves Arya Stark at Harrenhal. The man makes a new identity for himself, with curly, dark hair, a crooked nose, and sallow features. Essentially, post-Harrenhal. Coincides slightly with a later verse, v ;; far away and across the narrow sea.
An umbrella tag for all Modern AU threads and interactions. In this verse, Jaqen is anything, really. Since he can change his appearance with a swish of the hand, there are so many opportunities for modern threads!
We can discuss professions/aliases over ooc chat ( i.e., message me ) or I can write whatever comes to mind at the time. Essentially, I will go with whichever alias I think will help our muses interact.
In some forms of this verse, it's the same as canon in that there's a House of Black and White and he's a modern-day assassin, for lack of a better word. In other forms, Jaqen is no longer affiliated with the House of Black and White. Or, he grew up as a devout Catholic ( not by choice ) and is no longer religious; that is, he either defected or was banished. It all depends on what a writing partner would prefer. There are a god damn lot of headcanons pertaining to this verse and I am always willing to explain nuances not mentioned on this page.
Really can't stress the flexibility of this verse. Lmao.
An AU in which Arya Stark is the King in the North and Jaqen, by the Faceless Men, is selected to gather information concerning the North’s political system. He is not aware of the fact that Arya is the one who rules when he is given the assignment, and once he arrives in Winterfell he is shocked to see that the girl he once deemed “lovely,” Lyanna Stark, is the Hand of the King and that her twin, Arya Stark, is the King in the North.
Merek Clarke, the man’s guise, asks Arya and Lyanna for a plot of land and stays in Winterfell to, as directed, gain information pertaining to the ruling system. He does not let them know that he was the man named Jaqen H'ghar Lyanna once met in Harrenhal until later in the thread, but it is implicitly revealed towards the beginning.
To retain the image of being a ‘normal’ citizen, Merek becomes betrothed to Allison Argent, the daughter of a middle-class family from the North. ( The marriage is arranged by the woman’s father. ) Allison is completely unaware of a man’s falsehood, but she will be in for a devastating turn of events once her betrothed is killed in a ’terrible accident.’
From thence, Merek Clarke will become but another lifeless mason the third floor of the House of Black and White, and a man will live on, continuing to serve the Many-Faced God.
( set in Harrenhal. )
This verse can be set anywhere from when Jaqen was imprisoned as a criminal in Harrenhal to when he was set free by Arya Stark. A mash-up between show and book canon, in truth.
If Arya had taken Jaqen’s offer to escape to Braavos and become his apprentice. ( Pretty much season 5 of A Game of Thrones, the show. EXCEPT I don’t follow that. Lol. Just my own version because the show ruins everything good. )
A verse in which Arya Stark defects ( or is attempting to defect ) from the House of Black and White in favor of returning home to Winterfell. She tells Jaqen H'ghar the cruelties of the House, but, due to his indoctrination, there are many variations of what could come...
An AU in which Arya Stark agrees to travel across the Narrow Sea with a man and arrive in Braavos thereafter, eventually training under him. In this verse Jaqen H'ghar is a dead man and a new name and face are claimed — dark curly hair, sallow features, a gold tooth, a scar on his rounded cheek, and a crooked nose.( A prequel to v ;; a wolf in the faceless den.) This new visage is worn only during their travels. He re-becomes Jaqen H'ghar when he enters the House of Black and White. Verse is heavily under construction.
An umbrella tag used for all AU threads and interactions, or AU threads in which a specific verse has yet to be determined.
BIGRAPHY AND BASIC INFORMATION
Please read through this page before interacting with Jaqen, for almost all of this information is crucial to how I portray him. Note that a lot of creative license is used in this blog due to the lack of information regarding him.
BIOGRAPHY
A man, also known as ‘Jaqen H'ghar,’ is a member of the House of Black and White, or The Faceless Men. The Faceless Men is an organized group filled with men ( and the occasional woman or child, in rare cases ) who have the ability to change their appearance on command.
They are highly trained and skilled assassins who serve the Many-Faced God ( or, gods that represent Death in all religions mentioned in A Song of Ice and Fire ) and carry out their ‘deeds’ in complete secrecy. Most deaths carried out by the Faceless Men appear to be completely accidental to onlookers.
Jaqen H’ghar is a Lorathi from the Free City of Lorath, a man and place that few people know about. But Jaqen, in particular, is a façade of a man the man who claims to be Jaqen H’ghar is truly no one, and his inherent identity is unknown even to himself.
He has extremely angular features that mesh well with his long hair, which is split in the middle: red on one side and white on the other. His eyes resemble that of bronze and his body is extremely lean and toned. He is known for smirking when outside of the House of Black and White a lot. His voice holds an accent that sounds German, and he has NO concept of personal space. ( I promise that's canon lmao. )
Jaqen is first seen in A Game of Thrones/A Song of Ice and Fire posing as a criminal, alongside two other men who are not faceless. Arya Stark sets him free and, in return, he finds her in a heavily damaged castle known as Harrenhal and helps her cross three men off of her ‘hit list.’ He tells Arya to give him three names ( three people to kill ) so that three deaths may be payed to the Red God, because she saved three men, including himself, from fire. He grows to be fond of Arya and refers to her as ‘lovely girl.’ When he says this, he means it platonically.
Hopefully you now know enough about Jaqen to adequately write with him and me. Thank you very much for taking the time to read through this little biography I compiled. Now, here are some basic facts containing information I have gleaned together that make up my portrayal of Jaqen.
INFORMATION
Name: Jaqen H’ghar.
Referred to as: Jaqen H’gar; a man; no one.
Age: Unknown, but assumed to be anywhere from his mid twenties to early thirties. It varies.
Gender: Male.
Hair Color: Half red and half white.
Eye Color: Bronze.
Ethnicity: Lorathi.
Sexuality: Heterosexual? ( CELIBATE unless noted otherwise in specific verses. )
Occupation: Faceless man and servant to the Many-Faced God.
This is a note to let you know that no one should underestimate a man/Jaqen H’ghar/any of his aliases at any time.
Jaqen H'ghar's characterization is built upon smirks and cryptic sayings. He is extremely polite and is obsequious to Arya Stark.
However, this does not mean that he is weak or immediately willing to be your character’s friend.
Jaqen H'ghar is a faceless man, of the The House of Black and White, which is a highly secretive and anomalous guild because of the incredible, coveted, mind-boggling abilities of which its servants possess.
He can mix and create poisons at a fairly advanced level; he can detect lies as easily as he inhales ( based on intonation [ or lack thereof ] in voice, micro-expressions, body language, &c. ); he possesses incredible hearing ( to aid him when on missions ); he has stealth beyond that of any hunter; he can change his ENTIRE identity with the swipe of a hand; and, he can compartmentalize his emotions and his memory.
Please do not underestimate Jaqen H'ghar and expect to be the exception.
R U L E
INDEPENDENT JAQEN H'GHAR
OF GRRM'S A SONG OF ICE AND FIRE.
Y O U R
LOW ACTIVITY.
MULTI-EVERYTHING. #INFERUXS
F A C E.
PLEASE READ
LINKS 02., 04., AND 06.
BEFORE INTERATCION.