though his tone remains quite perfectly civil (too perfectly, almost – unflappable in a way that irks next to her own threatened composure ) she can’t quite shake the sense that something in him is trying not to laugh at her, and she has to bite back a renewed reprimand. you’re projecting. you’re just self-conscious, that’s all, he didn’t even say anything.
a breath in straightens her spine and squares her shoulders, and she makes herself proffer a smile, a touch sheepish, though it does manage, with a whit of focus, to warm her eyes and lighten them from their uncertain cant.
‘ usually, in my experience. ’
a weakly huffed breath that sounds like an approximation of muted, sheepish diversion ; she doesn’t know why he’s still talking to her if all he wanted was the book, but she’s not objecting, either.
‘ zoë. you are – ? ’
◤ Ꮴalar Ꮇorghulis. ◢
Sudden change of opposite’s posture ( Zoë, it is learned ) does not go unnoticed, for height is contrary to that of the other women this man has been acquainted with, and a lovely girl whose ichor is lined with ice comes firstly to mind, with steely eyes; a girl who would have to tilt her head in order to make eye contact.
( The man cannot help but wonder what would cause such a thing, though, for this woman to suddenly change alignment — and perhaps reading too far into things.
When he was in his prime of his youth, a straightening of posture was reserved for a man known to be kind. The ‘why’ is not clear in memory [ not many things areclear in mind ]; but to see himself, be it a mere shard or speckle, a small resemblance, to be in any way similar to that man, even if not purposeful, causes a wave of gelidity to overcome lithe body for but a moment. )
He is getting ahead of himself, and the inward frigidity does not show upon mien.
Instead he focuses on this woman’s diffident intonation which gives his characteristic smirk momentum. ‘Usually, in my experience.’ … Is she playing along with his diction?
“Zoë,” he repeats aloud. “A lovely name.” Courteous inclination of head follows suit.
inevitably, a brow lifts – somewhere between challenging and querying – when he repeats her words as though truly unfamiliar with the concept ; but she’s been the outsider, the strange one, the alien in her own skin enough times over that she doesn’t push and prod and pry. even if the inevitable curiosity (how does it work, papa? i don’t understand) does threaten to get the better of her and overcome her tact.
when he speaks again, his request is simple and innocent, and her cheeks flush, embarrassed by her own needless hostility ; lower lip chewed in chagrin as she draws back, hands him the second copy of the book in question. ( it’s a distinctly niche read – she’s surprised they even have more than one, but she doesn’t voice it. )
‘ – sorry about that. i don’t always people so well. not your fault. ’
in her flustering, she almost misses the unusual balance of his parlance ; but out of a better attempt at politeness, she doesn’t ask after that either.
◤ Ꮴalar Ꮇorghulis. ◢
Bronze of eyes warms with look to stranger and mortiferous soul deems fine motor skills loath to sever eye contact. A coy twist of lips ensues, though expression does not let on that amusement stems from other’s flustering — rather, highlights what threads of politeness linger beneath visage.
“It’s quite all right. A mere slip of tongue,” he replies with an urbane cadence of voice, ixnaying the woman’s implicit querying. Calm, cool, collected. He assumes that this woman would likely ask about manner of speaking, just as countless others have, but says naught on tacit subject once a shared moment of silence follows.
Instead, lengthy digits accept aforementioned book and curl around its spine, allowing the object to vertically rest against crest of hip. The opportunity to leave now that pursuit is fulfilled has arisen, but the man chooses to stay for a while longer; be it a few seconds, a few minutes.
discomfited, teeth set on edge, she almost snaps something distinctly less than kind ; bites down on her tongue and coaxes herself into a step, and a second, backward, resists the defensive impulse to fold her arms over her chest and set her jaw hard.
( being handsome isn’t a get-out-of-jail-free card, even so, and her eyes do harden a whit or two. )
‘ there. personal space, see? not that hard. now, d’you want to try whatever you were saying again? ’
◤ Ꮴalar Ꮇorghulis. ◢
Strange woman steps away as no other has done before, and a brow raises in lieu of verbal enquiry. Jaqen H’ghar, a version of a man, remains in place with lips that once sloped upward but that now form a fine line of what appears to be the entrenching of newfound ‘societal norm’ into mind as opposed to action stemming from true aloofness.
Natheless, unacquainted continues to block a small portion of the ‘DA’ section in the local library.
“Personal space…” a repetition aloud. He tests new vocabulary atop courtly tongue, concurrently takes moments to savour unfamiliar accent of other’s to perhaps, in due time,categorise place of upbringing.
“As a man was saying—” regaining eye contact, “is this the last copy?”
the harshness of her own speech and the intrusion of a third party in conjunction serve well enough to send the first interloper retreating, scowl on his lips but elsewise with whatever remains of his tail hung low between drunkenly stumbling legs ; only then do watchful eyes turn onto the second anew, a careful search for intent and design smothered under mostly illegible cant of features.
she has been taken in from the harshness of the streets that had been taught to her by what should have been her girlhood – fed, cleaned, clothed, cared for ;haleth had seen to that – but ten years later, and she still struggles to believe in kindness for kindness’ sake. ( her skin shrinks, still, in the way of abused children and mistreated animals with bristled teeth, upon itself in the aftermath of since relinquished proximity – he may be an innocuously helpful bystander, even an eventual friend, or he may want something from her, too. if it is a maiden in the tower he looks for, to thank him for his rescue with soft smiles and saccharine wile and a gentled skin to warm his bed, he will soon find himself sorely dis- -appointed – but his disappointment is nothing to her. )
a flick of her eyes to the bartender covers over the moment of mistrust and brings two, not one, identical glasses of beer passed across ; cold and damp against the callus and warp of her palms and fingers, arya sets both down on the table before skimming the lingering condensation off her hands onto the front panels of her jeans, settling back into her chair, features half in shadow as she watches him ( the oddity of his hair and his speech the most striking, and the scent of ginger and cloves just under the smell of sweat, beer, cigarette smoke – and, somewhere, piss and bile – that comes with any cheap dive bar ) from her own removed vantage point.
‘ not for me to tell you where you can and can’t get yourself piss drunk, ’ she offers, shrugging ; words callous and even blunt to save face for her wariness. ‘ though, i’ll warn you, you might find better company with people who aren’t me. ’
◤ Ꮴalar Ꮇorghulis. ◢
“Just so.”
A concurrence to first fragment of statement as a temporary substitute for blathering on as most intruders of space would do.
Albeit, a man aware of everything around him ( holes in threadbare jeans, cigarette stench in breath [ a habit never to be approved of ], scratches in bricks of wall, twitch in thinning wrists and growing legs, pulses of oft unsteady jugulars … with a learned flick of bronze irises; trade of artistry accepting no less; for if one is to depict a scene seen in living colour, experienced through twist of hands, subjects should be viewed and executed with justice)does lack cognisance of persons’ space he so oft invades. Luck finds this woman near who will be no sufferer of intrusion of space on this man’s end.
Not out of preplanned rudeness does he find his limbs unseasonably close to strangers — rarely does he allow such a word to blossom further to ‘friend’. Kin enwreathing in the time of formative years had yet to establish the meaning of the word ‘boundary’, thusly crowding in chapel’s hall with shoulder to shoulder and knee to knee, often, prayers murmured with foreheads touching, too. The Preacher said that God said that allmen were brother and sister, and these brothers and sisters were inseparable, with the word of the Almighty binding them. Buthis brothers and sisters, in time, became foes when his realisation of religious falsity lying like weight throughout adolescent body became noticeable. ‘Boundary’ was soon learned by all the little boys and girls when this man was to enter any building.
And like woman adjacent, he assumes, life lived between streets — although temporarily, for apartment not but a few miles off currently harbours him and his art — was once evident on angular visage.
That was before a man, a man demanding to be looked upon, with a cowl of black and white and a tight-lipped smile that would lure anyone to the temple in which he resided, took the young child in. ‘Kind’, they called him, this man of middle-age. But he was no kind man. (Rule your face. )
Jaqen abruptly pauses his train of thought on demand and, allowing no trace of such to taint marble visage, a lesson learned many times over, picks up the nearly lukewarm glass with a wet ring formed across base. Neglected, as with many things in life.
“A man looks around and sees no beings who seem to be conscious enough for discourse,” he observes. “Unless a woman is already deterred by another’s presence?”
the beer is cheap, and the company is cheaper ; most days, arya doesn’t mind either ( blocks herself off with a cloud of cigarette smoke if something or someone does make her balk, vanishes silent as a ghost out the back door if she finds herself suffocated in the press of bodies and wash of sound ), but at present her lighter’s been forgotten at home, and the only cloud is that of whiskey-laden breath too warm near her skin, and she can feel the point of a knife pressing against her inner wrist where she’s stored it up her sleeve, most of her energies focused on not tearing this idiot a new one, dark smoky steel of her eyes a warning ( one that, no doubt, would have been more functional had its target been sober ).
her patience wears increasingly thin, reaching dangerously near to the end of its tether almost in the instant that she finds herself interrupted ; wolf of her heart stirred to bite only to find itself muzzled, and her eyes flash sharp at the stranger for an instant before she registers the idiosyncrasy of speech, brow furrowing. a man could use another taste of beer – formal shite, what in seven hells is this ‘a man’ crap?
‘ no one, ’ she returns, terse, not as smoothly as she’d like ; fight of her spirit ill-contained, too large for her small stature perhaps, as though it seeks to expand beyond the constraints of her skin and bone. ‘ actually, he was just leaving so he could go fuck himself without getting distracted by a broken nose. weren’t you? ’
◤ Ꮴalar Ꮇorghulis. ◢
To say that the man possessed predestined notions about the woman would be a harsh overstatement, but expletives spoken as if a part of daily discourse do prompt an inward lift of brow. Naught resembling shock, though, is shown upon collected visage; rather, a dropping of aforementioned features proffers drunken stranger the unspoken ‘it takes a special kind’ ( forming a false back- ground in mind with each passing breath should questions ensue from either party),and he clears yet-to-be-quenched throat with a zephyr-like quality.
He bothers not with saying anything further, the woman having already displayed enough audacity to rid of the drunkard. With such, the man realises that he is now the intruder of adjacent’s space and takes the gentlemanly in- itiative to step away ( for if the woman had hair any longer it would likely be touching his arm; close proximity thought out only when attempting to appear as significant other ) and take a seat opposite. He would continue to converse should it be necessary, with plenty of intoxicated peoples surrounding, and an oddly captivating quality in now-quiet stranger that keeps him trained to seat, but will not take it upon himself to insert a dull introduction — this woman appears to be far from the ’you saved me!’ type, and, perhaps, would not care to know what handle he goes by.
In any case, he tucks a loose strand of red hair behind right ear, aware of abnormal colouration with white on left; and, after taking a conveniently placed napkin with a quick sweeping motion and wiping the counter clean, calmly leans an elbow on the smooth surface. He orders a beer with a casual glance from the bartender to the woman’s glass and back.
“A man hopes his presence is welcome to share a drink.”
For one accustomed to loitering in unlit niches tucked within various buildings hosting bustling crowds ( waves of people serving to enkindle fickle muse of in- spiration for succeeding works of art, be the canvases with or without face ) to cast gaze impassively amongst drunken, dejected, oft slurring figures is far from uncommon practise.
A bar adjacent catches unabridged attention in due course; a group of young women with svelte figures does not go unnoticed; a man in curious garb ( a blue beard with three prongs complimenting yellow shirt ) provokes an internal lift of brow; a remarkably small woman being flirted to ( not with? ) catches eye for longer than a second. The man takes mild pride in the ability to remove himself from situations he deems insignificant and thus continues to allow his eyes the leisure to roam the room.
With an unintentional glance once more in the direction of the slight woman’s vicinity, the artist inly contemplates the idea of interjecting himself between this woman and the nameless man. Inebriate towering over seemingly clear-headed evokes far from pleasant memories of old sermons preaching the importance of staying away from alcohol, how the liquid causes the mind ‘to turn to the Devil…’
Radical ideas no longer intaglioed into cerebrum do hold minute value and within seconds this man finds himself walking towards and up to the pair of strangers. He ends up standing beside the woman with a feigned look of surprise and proffers her a greeting before opposition is given the chance to emerge.
“A man could use another taste of beer after waiting in line for so long. Attention takes a sharp Who might this be?” turn to the drunkard.
Gaze belonging to unacquainted individual adjacent is caught by own, a casual adjustment of weight to left leg following unspoken acknowledgement. ( Gracile body still appears board straight despite languid change of posture, with its rigid- ness of back and lankiness of arms — and in the company of cool exterior is an air of hidden strength when words are spoken in an accent of Germanic descent. )
“—Klimt’s Death and Life? It seems a woman has an eye for art.”
Hello! Thank you for taking the time to read this page; I really appreciate it.
On this page you will find no password, so do not fret. However, please read this if you’d like to write with me. Please read links 04. and 06. as well. Said links will give you insight into my portrayal of Jaqen and his many guises, especially if you are unfamiliar with ASOIAF/GOT.
I.
There is an incredibly small amount of information regarding Jaqen H'ghar’s life; therefore, I will take a great amount of liberty in expanding upon the characterization given to him by George R. R. Martin in the series A Song of Ice and Fire.
**Thus, if you also write as Jaqen H'ghar, I ask that you please do not steal my headcanons or anything pertaining to my characterization. I have spent but a few years on Tumblr as Jaqen H'ghar; however, I have worked diligently to form my interpretation of him. Of course, everyone has a different interpretation when it gets to the details. I'm just putting this out here. If I feel as though you've done such a thing, I will privately take it up with you.
II.
I do not follow blogs for the sake of following back unless I see a plausible interaction between said blog and Jaqen. ( Or, I may admire your writing/characterization!! Lbr. ) In this regard, I am very selective with whom I write with and I do this in an effort to keep drafts and pressure off of my shoulders.
I cannot stress this enough: The guise of Jaqen H'ghar is not seen many places in the books; it is challenging to get him to meet other characters, even in the ASOIAF world.
Please refer to the PSA. tag for further information.
Mutuals only, please.
However, if we're not in a mutual follow and you think our characters could have a plot line together, please do not hesitate to send me a message! I truly mean it. You know more about your character than I do, so if you think our characters could have a cool storyline, just let me know. I am really kind ooc! I do have the right to refuse, though.
III.
Building off of that, this blog is multi-verse and multi-ship.
IV.
This account is based off of book canon. The only show influence on this blog is the faceclaim, Tom Wlaschiha, which is seen in my main verse. I do not acknowledge Season 5 and further of Game of Thrones, the show. That is, the Kindly Man oversees Arya Stark when she is in the House of Black and White—- not Jaqen H'ghar. There are many more differences, but that would force me to digress.
That all said, my verses/AU things are noted in link 03. because writing outside of canon is also fun!!!!! ( E.g., my interpretation of how Jaqen would treat Arya in the House of Black and White is quite different than the show's interpretation. )
V.
I always accept multiple threads and ask prompts. If you want to have 7 threads going, let's do it. Do you want to send in 3 ask prompts at a time? Do it. Do you want to ask random questions about or to Jaqen? Do it. Live your life. We are here to write.
VI.
This blog’s purpose is not for shipping, but, if applicable, please do not force them.
I strongly prefer to be an exclusive roleplayer when it comes to romantic interactions. ( E.g., if an X blog would ship with my Jaqen, I would prefer that I would be the only Jaqen that X blog would SHIP with. ) However, I completely understand if my shipping partner is not into shipping exclusivity.
The only 'real' ship I see on this blog is Jaqen x Arya, but I will never force that upon you. Even then, I am extremely selective with that ship.
Nothing regarding underage relations will be present on this blog.
( Thus, when he's smirking a lot and being cryptic with her at Harrenhal and kissing her head, that is not 'shippy.' That's just Jaqen. Arya is a fucking child. THANK YOU. )
I am most comfortable when us writers are on good terms and have both in-character and out-of-character writing chemistry in order to ship our characters. If we do not click at all out-of-character, I will not be shipping with you.
VII.
My Skype ( fireoflethe ) and Discord ( inferuxs #4751 ) are available to mutuals. Please let me know your URL when adding me. I primarily use those platforms for in-character interactions, but out-of-character interactions are great as well! I'm almost always on them.
VIII.
If you have a problem with how I portray Jaqen, kindly let me know what you think I am doing 'incorrectly' or unfollow me. I don’t mind. I love con-crit. Anonymous hate, if applicable, will not be acknowledged.
IX.
God modding is not welcome here. Killing or causing serious harm to Jaqen is considered God modding to me, but do not sacrifice your character’s personality for 'nice' interactions! Pushing, shoving, yelling—- all fine. Just nothing serious . . . unless you consult with me first hand.
That said, Jaqen will know who your character is when he speaks with them, unless your character is a god / supernatural creature with all-knowing powers / etc. It's his life's work to know what's going on re: ppl around him.
And please note that, as stated in links 04. and 06., Jaqen is a lethal character. He can kill your muse ( unless said muse is a god ) in seconds and make it look like an accident. Killing people is a part of his religion—- seriously. Please, never underestimate him.
X.
AU threads are highly welcomed and I will jump on the opportunity to write them. Hit that link 01. and we’ll go from there. Or, send me a IM. Seriously.
XI.
I will gladly tag triggers for you if you ask!! This is what a trigger tag looks like: abuse //. Period not included.
If we are in a mutual follow, I ask you to PLEASE tag any images pertaining to NON-HUMAN/ANIMAL-like creatures—- shadow-like things that are lurking and shit. Like demonic shit that creeps into your room. These images cause me extreme fear and anxiety.
nonhuman //, tw: nonhuman, or nonhuman cw . . . all work for me! Whatever tagging style suits you!
By default, I tag abuse and sexual assault for my followers, but nothing else unless asked.
XII. ! ! !! ! ! ! ! ! ! ! ! ! ! ! ! !!! ! ! ! ! !
This blog is VERY low activity. I am a university student doing a combined honors degree, who has two jobs, and who likes to read in her free time. I also have another blog.
Thus, I am NEVER able to reply in a timely manner. Also, I take a long time to write in general. You may drop me a reminder about a reply, but wait a week before doing so. I RARELY lose threads; it's likely in my drafts and just. sitting there. lmao.
I truly do have a lot on my plate and I will never pressure you for a reply. This is a hobby, y'all. A HOBBY.
XIII.
If I didn't make it clear, you are always welcome to message me. I don't bite. Really! Gosh.
** This blog is in no way affiliated with George R. R. Martin, HBO, Tom Wlaschiha, Nicola Wincenc, Adrien Brody, or Aidan Turner. Damn, how I do wish it was.
Please do not take ANY of the icons or graphics or content on this blog; I will know if you do and confront you about it.
And, of course, the writing is mine.
VERSES
NOTE THAT ALL VERSES ARE OPEN FOR INTERACTION UNLESS MARKED OTHERWISE. These will be periodically updated, as all verses are extremely flexible, and I am always willing to add many more.
( This is set in an ALTERNATE universe for easy access to interaction. )
Jaqen has left Arya Stark with an iron coin that holds a great amount of value. Afterward, he travels back to the House of Black and White and continues serving the Many-Faced God. This is considered to be in an AU because readers are not exactly sure where Jaqen is at this time.
According to book canon, the man does not have the same face that Jaqen H'ghar wore when with Arya Stark. I bent the rules a bit by keeping Tom Wlaschiha as his FC, though, because most characters to be interacted with have no business in Harrenhal (where Jaqen H'ghar is located in canon verse ). In this verse Jaqen can be anywhere in the world.
This universe is set when a man’s identity known as Jaqen H'ghar ‘dies’ once he leaves Arya Stark at Harrenhal. The man makes a new identity for himself, with curly, dark hair, a crooked nose, and sallow features. Essentially, post-Harrenhal. Coincides slightly with a later verse, v ;; far away and across the narrow sea.
An umbrella tag for all Modern AU threads and interactions. In this verse, Jaqen is anything, really. Since he can change his appearance with a swish of the hand, there are so many opportunities for modern threads!
We can discuss professions/aliases over ooc chat ( i.e., message me ) or I can write whatever comes to mind at the time. Essentially, I will go with whichever alias I think will help our muses interact.
In some forms of this verse, it's the same as canon in that there's a House of Black and White and he's a modern-day assassin, for lack of a better word. In other forms, Jaqen is no longer affiliated with the House of Black and White. Or, he grew up as a devout Catholic ( not by choice ) and is no longer religious; that is, he either defected or was banished. It all depends on what a writing partner would prefer. There are a god damn lot of headcanons pertaining to this verse and I am always willing to explain nuances not mentioned on this page.
Really can't stress the flexibility of this verse. Lmao.
An AU in which Arya Stark is the King in the North and Jaqen, by the Faceless Men, is selected to gather information concerning the North’s political system. He is not aware of the fact that Arya is the one who rules when he is given the assignment, and once he arrives in Winterfell he is shocked to see that the girl he once deemed “lovely,” Lyanna Stark, is the Hand of the King and that her twin, Arya Stark, is the King in the North.
Merek Clarke, the man’s guise, asks Arya and Lyanna for a plot of land and stays in Winterfell to, as directed, gain information pertaining to the ruling system. He does not let them know that he was the man named Jaqen H'ghar Lyanna once met in Harrenhal until later in the thread, but it is implicitly revealed towards the beginning.
To retain the image of being a ‘normal’ citizen, Merek becomes betrothed to Allison Argent, the daughter of a middle-class family from the North. ( The marriage is arranged by the woman’s father. ) Allison is completely unaware of a man’s falsehood, but she will be in for a devastating turn of events once her betrothed is killed in a ’terrible accident.’
From thence, Merek Clarke will become but another lifeless mason the third floor of the House of Black and White, and a man will live on, continuing to serve the Many-Faced God.
( set in Harrenhal. )
This verse can be set anywhere from when Jaqen was imprisoned as a criminal in Harrenhal to when he was set free by Arya Stark. A mash-up between show and book canon, in truth.
If Arya had taken Jaqen’s offer to escape to Braavos and become his apprentice. ( Pretty much season 5 of A Game of Thrones, the show. EXCEPT I don’t follow that. Lol. Just my own version because the show ruins everything good. )
A verse in which Arya Stark defects ( or is attempting to defect ) from the House of Black and White in favor of returning home to Winterfell. She tells Jaqen H'ghar the cruelties of the House, but, due to his indoctrination, there are many variations of what could come...
An AU in which Arya Stark agrees to travel across the Narrow Sea with a man and arrive in Braavos thereafter, eventually training under him. In this verse Jaqen H'ghar is a dead man and a new name and face are claimed — dark curly hair, sallow features, a gold tooth, a scar on his rounded cheek, and a crooked nose.( A prequel to v ;; a wolf in the faceless den.) This new visage is worn only during their travels. He re-becomes Jaqen H'ghar when he enters the House of Black and White. Verse is heavily under construction.
An umbrella tag used for all AU threads and interactions, or AU threads in which a specific verse has yet to be determined.
BIGRAPHY AND BASIC INFORMATION
Please read through this page before interacting with Jaqen, for almost all of this information is crucial to how I portray him. Note that a lot of creative license is used in this blog due to the lack of information regarding him.
BIOGRAPHY
A man, also known as ‘Jaqen H'ghar,’ is a member of the House of Black and White, or The Faceless Men. The Faceless Men is an organized group filled with men ( and the occasional woman or child, in rare cases ) who have the ability to change their appearance on command.
They are highly trained and skilled assassins who serve the Many-Faced God ( or, gods that represent Death in all religions mentioned in A Song of Ice and Fire ) and carry out their ‘deeds’ in complete secrecy. Most deaths carried out by the Faceless Men appear to be completely accidental to onlookers.
Jaqen H’ghar is a Lorathi from the Free City of Lorath, a man and place that few people know about. But Jaqen, in particular, is a façade of a man the man who claims to be Jaqen H’ghar is truly no one, and his inherent identity is unknown even to himself.
He has extremely angular features that mesh well with his long hair, which is split in the middle: red on one side and white on the other. His eyes resemble that of bronze and his body is extremely lean and toned. He is known for smirking when outside of the House of Black and White a lot. His voice holds an accent that sounds German, and he has NO concept of personal space. ( I promise that's canon lmao. )
Jaqen is first seen in A Game of Thrones/A Song of Ice and Fire posing as a criminal, alongside two other men who are not faceless. Arya Stark sets him free and, in return, he finds her in a heavily damaged castle known as Harrenhal and helps her cross three men off of her ‘hit list.’ He tells Arya to give him three names ( three people to kill ) so that three deaths may be payed to the Red God, because she saved three men, including himself, from fire. He grows to be fond of Arya and refers to her as ‘lovely girl.’ When he says this, he means it platonically.
Hopefully you now know enough about Jaqen to adequately write with him and me. Thank you very much for taking the time to read through this little biography I compiled. Now, here are some basic facts containing information I have gleaned together that make up my portrayal of Jaqen.
INFORMATION
Name: Jaqen H’ghar.
Referred to as: Jaqen H’gar; a man; no one.
Age: Unknown, but assumed to be anywhere from his mid twenties to early thirties. It varies.
Gender: Male.
Hair Color: Half red and half white.
Eye Color: Bronze.
Ethnicity: Lorathi.
Sexuality: Heterosexual? ( CELIBATE unless noted otherwise in specific verses. )
Occupation: Faceless man and servant to the Many-Faced God.
This is a note to let you know that no one should underestimate a man/Jaqen H’ghar/any of his aliases at any time.
Jaqen H'ghar's characterization is built upon smirks and cryptic sayings. He is extremely polite and is obsequious to Arya Stark.
However, this does not mean that he is weak or immediately willing to be your character’s friend.
Jaqen H'ghar is a faceless man, of the The House of Black and White, which is a highly secretive and anomalous guild because of the incredible, coveted, mind-boggling abilities of which its servants possess.
He can mix and create poisons at a fairly advanced level; he can detect lies as easily as he inhales ( based on intonation [ or lack thereof ] in voice, micro-expressions, body language, &c. ); he possesses incredible hearing ( to aid him when on missions ); he has stealth beyond that of any hunter; he can change his ENTIRE identity with the swipe of a hand; and, he can compartmentalize his emotions and his memory.
Please do not underestimate Jaqen H'ghar and expect to be the exception.
R U L E
INDEPENDENT JAQEN H'GHAR
OF GRRM'S A SONG OF ICE AND FIRE.
Y O U R
LOW ACTIVITY.
MULTI-EVERYTHING. #INFERUXS
F A C E.
PLEASE READ
LINKS 02., 04., AND 06.
BEFORE INTERATCION.