Subdued pitter-patter coming from the car’s motor is the only sound
    audible between the cool gaze belonging to Jaqen H’ghar  and a little girl’s
    subtle pout. For miles this tenseness is mightily present, even with the dis-
    traction  of  traffic.  To say something,  to  scold,  is  pointless  in  the  end;
    stubbornness  is  intaglioed  into the child’s mind and she claims  that  her
    violent outburst was  ‘fine’  in the  scheme  of things.   The man will refrain
    from forming a solid opinion until hearing both sides of the story.

        Without  challenge  the  father and daughter reach  the  principal’s  office
    (
kin is far from stranger to the no longer intimidating room ) and respective
    places of standing are taken.

        “ Sansa.” The man greets his acquaintance with a  polite nod,  letting
    go of his  child’s  hand  to shake  the  woman’s.  A glance to the authoritative
    figure ensues. “Ms. Mordane.” Another nod.  “A man apologises for Lyanna’s
    behaviour—” he turns to face the Stark’s son.  “She will confront Eddard and
    apologise.”

        His  eyes  are cast towards the girl of about seven that  stands  beside  him,
    then, an unspoken sharpness lingering behind his stolid arrangement features.

image

        “—Won’t she?

 

R U L E

INDEPENDENT
JAQEN H'GHAR
OF GRRM'S
A SONG OF ICE AND FIRE.

Y O U R

LOW ACTIVITY.
MULTI-EVERYTHING.
#INFERUXS

F A C E.

PLEASE READ
LINKS 02., 04., AND 06.
BEFORE INTERATCION.